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  • A girl stroking a puppy, and being nudged with affection by the puppy's mother. Stipple engraving by J. Godby, 1799, after G. Testolini after W. Miller.
  • Thomas Wood, an abstemious miller, aged 53. Reproduction of a stipple engraving by R. Cooper after J. Ogborne, 1773.
  • Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child and Saint John the Baptist. Engraving by J.S. Miller after R. Earlom after F. Barocci.
  • The corpse of a lady wearing a ruff and an elaborate head-dress lying on a bier guarded by a dog. Engraving with etching by L. Kilian after J. Miller.
  • A young woman implores her father to allow her to marry a politician who supported a different candidate in the Middlesex by-election from the one favoured by the father. Engraving by J. Miller, 1769.
  • Britannia is seated under a tree, surrounded by Science and Industry and presented with a cornucopia by a man with a spade; representing Britain's wealth through science and industry. Etching by J. Miller after S. Wale.
  • Martin van Butchell. Etching by J. Mills after A. Mills.
  • William Buchan. Line engraving by J. Mills, 1803, after A. Mills.
  • Engineering: rolling mills for iron. Engraving by J. Pass, 1826.
  • Machinery: a steam-driven sugar mill. Engraving by J. S. Virtue, 1862.
  • A grinding mill operated by water power. Engraving, 16--, after J. Besson.
  • Components of a rolling-mill. Etching by Bénard after L.J. Goussier.
  • With the compliments and thanks of J.W. French & Co. Ltd. : Frenlite Flour Mills, London E.3., Frenlite Flour Mills, Ware, Herts.
  • Machinery: plan and elevation of the Smeaton oil mill. Coloured engraving by J. Pass, 1819, after J. Farey.
  • Mechanics: mills using water-power in various ways. Coloured engraving, 1816, by J. Pass.
  • Dyeing: dyers' and fullers' mills for extracting plant dyes. Coloured engraving by J. Pass.
  • A horse turning the wheel to crush apples in a cider-mill. Engraving by J. Whessell after J. Wathen.
  • Items of farm equipment and machinery, including presses, churns and mills. Engraving by J. Hulett.
  • A hand mill with four mortars operated by two assistants. Engraving, 16--, after J. Besson.
  • The Cathedral, Royal Infirmary, Glasgow: from File Mills. Line engraving by J. Swan after himself.
  • Components of a rolling mill for lead. Etching by R. Bénard after L.-J. Goussier.
  • An earthenware cistern and an ivory carving representing necromancers, above. Etching by J. Mills, 1830.
  • Eshowe, South Africa: a group of Africans at Adam's Mill. Albumen print by J. Wallace Bradley.
  • Rolling-mills used to produce lead sheet: cross-section. Etching by Bénard after L.J. Goussier.
  • Machinery: plan and elevation of the Smeaton oil mill. Engraving by W. Lowry, 1814, after J. Farey.
  • Machinery: plan and elevation of the Smeaton oil mill. Engraving by W. Lowry, 1814, after J. Farey.
  • A rolling-mill used in the production of lead sheet. Etching by Bénard after L.J. Goussier.
  • Process of producing lead sheet, and the rolling-mill used. Etching by Bénard after L.J. Goussier.
  • Carpentry: a water-driven saw-mill, long section and plan. Engraving by Prevost after L.J. Goussier.
  • Rolling-mills powered by water: cross-section and various components. Etching by Bénard after L.J. Goussier.